Friday, March 15, 2013

Terezin, Czech - A Day of Remembering


The main Square in the town

Having decided to visit the town of Terezin, I got up early and took the subway near my hotel, Florenc two stops on the red line to the  Holešovice station where there is a bus terminal. While waiting for the bus to come I was talking with two sisters, one who lives in Maryland and one who lives in Salt Lake City and we ended up spending the whole time together while at the town, once a Nazi concentration camp and Jewish Gehetto. I decided to do this separate blog entry with an additional one below this one for today’s other activates. There is just so much about the tragic history of Terezin and out of respect I feel it’s better it have a dedicated entry.

I had first learned of the camp and the atrocities’ perpetrated there while listening to a very emotional and inspiring book on tape, " "Never Too Old: Words of Wisdom from Alice Herz-Sommer, The World's Oldest Living Holocaust Survivor"" during my long train rides through Germany and Poland. Although I really didn't think I was emotionally prepared for a visit to the site I am very glad I decided to in the end and most glad that I had picked this day because having the sisters, Pam and Janice really helped to get through the difficult parts.

National Cemetary
From the visitors website I found all the basic information about what a visit to the town would include so I've placed that below. We started with a visit to the Terezín Ghetto Museum where they had art from some of the kids who were sent there and the pictures were beautiful and happy, joyous ones at that with butterflies and birds and family drawings. When you see them you can’t imagine they were done here during that time and worst is when you read the caption below with the artists name and date of birth and then next to all but I believe 3, the date they were killed in Auschwitz. It’s shocking when you are admiring the innocent beauty of a drawing and glance below to see that a child of only 13 or younger had their life taken so hideously from them.

We only had about 20 minutes to see the art exhibit before going to the film room to watch a video that the Nazi’s had made as propaganda to show how well the Jewish inmates were being treated. It was completely fabricated and all that was detailed in the book on Alice Herz-Sommer and what amazed me was that if I didn’t know the truth maybe, like the Swiss Red Cross workers who came to visit the town back then and asses if the inmates were being treated fairly, I would have believed life was as good as they had shown it to be. That was so upsetting that maybe it wasn’t possible to see all the horror behind the forced smiling faces and how horrible to be fooled into thinking it was all okay.

Also at the museum were posters of mostly survivors and pictures of their lives after the war and what they achieved and sometimes their children and grandchildren. That was emotional as well and you couldn’t help but think of all the lost potential and these needless, senseless killings. Could all the diseases of the world be cured by now from any number of those who perished or maybe from their children or grandchildren who were never born because their lives ended so prematurely. The life-saving inventions never developed, the medicines never created the art and music never to be heard or seen because no one was left to create it. It’s staggering to think of the lost potential as well as the loss of beloved grandmothers and grandfathers, mothers, fathers, sisters, brothers and children.

We walked from there to the barracks where we saw how the people were forced to live in tiny rooms crammed together without adequate running water or facilities not to mention food.

In the same building they have a room for the musicians detailing some of their lives and showing their works that were created while living there and a room for visual artists displaying their paintings and drawings which were horrifying when detailing life in the camp and beautiful when capturing each other’s likenesses or the beauty in a summer day. I had to stop looking to see if an artist survived because none that I saw did and I just wanted to scream and stomp my feet and yell or something. Even after having been there it still seems unreal that this could happen. And strange how people, even virtual strangers can think alike. I had watched a teenager with his class group come out of the cramped room with the bunks and he was texting something on his phone and a few minutes late Pam and I were walking past the room’s entrance again and she said something about it not being possible for this to ever happen again because of the invention of the internet, we’d all know what was going on and I looked at her and said I was thinking the same thing when I saw that boy and hoping to myself that that really would be the case. That with all the access we have to images and news every moment of the day that the world would know and be able to stop it all before it ever reached a devastating point.

From there we found up the street a ways the Prayer room and the recreated attic apartment showing how truly cramped they all were. “Prayer room from the time of the Terezín ghetto A pride of place among the premises for worshipping during the existence of the Terezín Ghetto was held by the Jewish prayer room situated in today’s Dlouhá Street, which was discovered in the early 1990s. In terms of decoration, namely its professionally rendered murals and texts, this is unique among all the similar premises used as prayer rooms in the former Ghetto.” “In Dlouhá (Long) St. # 17, in a building managed by Terezin Memorial, there is a unique historic monument – a Jewish prayer room from the Ghetto time. The spiritual life of the involuntary residents of the ghetto was tolerated in order to maintain peace. The services took places mostly in the attics, cellars, garages or dormitories. The prayer room in Dlouhá St. is entirely unique because of its partly preserved professional mural painting and Hebrew texts. The room was adjusted for liturgical purposes by Artur Berlinger, who, prior to his arrival to Terezin in September 1942, worked as a religious teacher and a leading proponent of Jewish community in Bavarian town Schweinfurt. Because of his artistic talent Artur Berlinger probably worked in the ghetto art workshops and had access to paints. Therefore he could transform this little room, measuring approximately 5×4 meters, in a backyard of a civilian house, into a Jewish prayer room. Here, he gave his fellow prisoners consolation and hope for survival until his deportation to Auschwitz in September 1944. Artur Berlinger´s time in this prayer room is also confirmed by his self–portrait from 1943. In this portrait, he not captured himself in a cantor´s habit but also the interior of the prayer room. The existence of this unique prayer room remained unknown for several post-war decades. The owners of the house didn´t tell anyone about it, because they were afraid of the interference from the current regime and kept it intact. They informed Terezin Memorial about the prayer room after the year of 1989. Terezin Memorial made it accessible for the public after repairs and restorations. The appearance of the prayer room was damaged by the flood in 2002, its marks are seen on the walls till today.”

I also read in the book they had at the entrance to the museum that Mr. Berlinger’s two young daughter’s fortunately had survived the war because their parents had sent them to England on a children’s pass and their they lived and were able to verify their fathers role in the prayer room from letters he and their mother had been able to send to them in England via the Red Cross.

A visitor to Terezin wrote in her own blog “One prayer that remains on the walls of the Synagogue begs God to return from his anger. Another prayer, "If I forget thee O Jerusalem," has faded, leaving only, "If I forget thee..."  On still a third wall is a verse found in synagogues everywhere, "Know before whom you stand." Amazingly, on the other side of that wall stood Germans from the S.S. as the synagogue was located next to the bakery where bread was being made for the Nazi guards. The Germans never discovered the "shul”.

We walked from there to the cemetery and crematorium which was the most solemn part of the visit and hardest.

The last part of the visit was to the fortress which was a prison and Pam, who had been to Auschwitz when was younger, said the living quarters there were most like the death camp and just a few minutes in the barracks you could feel the despair.

I’m glad I visited there and in a way, although I didn’t feel this way at first, I think it’s a good thing the town is alive with families and business because maybe to hear a child’s laughter or see a families love can somehow bring peace to a place that saw and felt so little for so long.

The following information I got online from the visitor information websites:

"Terezín was established at the end of the 18th century as a fortress; still surrounded by its massive ramparts, the town lies at the confluence of the rivers Labe (Elbe) and Ohře (Eger). The Main and Lesser Fortresses at Terezín, although modern for their period, gradually became obsolete, and having lost their military function fell into disregard. Only in the relatively recent past has Terezín once again entered the world's public consciousness as a tragic symbol of the sufferings of the tens of thousands of innocent people who died here during the Nazi occupation of their homeland.

The Police Prison in the Lesser Fortress
After Hitler's occupation of Czechoslovakia, the Nazis recognised the "advantages" of the Lesser Fortress, and in June 1940 opened a police prison within it. Czech and Moravian patriots, members of numerous resistance groups and organisations, were sent here by various branches of the Gestapo.

From 1914 until 1918 it housed one of its most famous prisoners: Gavrilo Princip. Princip assassinated Archduke Franz Ferdinand of Austria and his wife on June 28, 1914, which led to the outbreak of the First World War. Princip died in cell number 1 from tuberculosis on April 28, 1918. (It's a reminder of how much one person can change the world for good and for bad. Had this man not killed the Archduke there may not have been a WWI and therefore no WWII and all this horror and violence and inhumanity may well have been avoided. Something to think about when we don't consider that our actions all have repercussions either good or bad or I suppose sometimes both.)

While around 90% of the inmates were Czechs and Slovaks, others included citizens of the Soviet Union, Poles, Yugoslavs, Frenchmen, Italians, English prisoners of war and other nationalities. In five years, some 32 000 men and women passed through the gates of the Lesser Fortress.

The conditions under which the prisoners lived worsened from year to year, and prisoners were forced into slave labour. The "internal komando" maintained the prison, tilled the surrounding fields and built various structures. The majority of prisoners, however, worked outside the fortress for various firms in the area, and until the closing days of the War contributed to production and work for the Reich.

From 1943 executions, too, were carried out in the Lesser Fortress, on the basis of "Sonderbehandlung" - without judicial process. In all, more than 250 prisoners were shot. At the last execution, on May 2nd 1945, 51 prisoners and 1 informer, mostly representatives of the Předvoj youth movement, lost their lives.

Only in the evenings, in moments of rest, could the prisoners rise above the never-ending humiliation and terror from the side of their guards. Within their cells, permanent and trustworthy collectives formed that secretly organised political and cultural events. Talks and presentations were held by artists and a broad range of professionals; in some cells cultural evenings were secretly held with singing and recitations, and clerics organised prayers. Even in such inhuman conditions people were able to express their creativity; numerous poems and simple drawings of outstanding documentary value originated here. Culturally, political life in the cells and secret links to the outside world helped the prisoners to overcome the horrors of this tool of Nazi persecution.

Among those imprisoned in the Lesser Fortress were the head of the resistance organisation the Central Command of Home Resistance, doc. Vladimír Krajina, the most senior officers of the National Guard, Generals Hugo Vojta, František Kravák, Viktor Spěváček and František Melichar, and the head of the Czechoslovak General Staff, General Ludvík Krejčí, who was also deported here. Also present were the leader of the "Věrni zůstaneme" ("We remain faithful") petition movement Prof. Vojtěch Čížek, the writer K.J. Beneš, the editor Otakar Wünsch and JUDr. Milada Horáková. Members of the Communist Party imprisoned here included Václav Sinkule, Eduard Urx, MUDr. Miloš Nedvěd, Milada Pixová and Marie Zápotocká. After the assassination of Heydrich in 1942, students from Roudnice were brought here, along with the relatives and accomplices of the assassins, Kubiš and Valčík; of these, 252 were executed in October 1942 at Mauthausen. Other prisoners of note included the Prague radio reporter František Kocourek, the caricaturist František Bidlo, the former Minister of Foreign Affairs Kamil Krofta (a university professor and historian), and prof. Karel Štipl.

The Lesser Fortress had the character of a transit prison, from which inmates were after a certain period either brought before the courts or transferred to concentration camps. As a result of hunger, maltreatment, insufficient medical care and poor hygienic conditions, however, some 2600 prisoners died here, while thousands more lost their lives having been deported from Terezín.

The concentration camp for Jews - the "Terezín Ghetto"
An integral part of Nazi plans for a new ordering of Europe was the so-called "Final Solution of the Jewish Question". From the occupied territories of Bohemia and Moravia, too, citizens of Jewish origin were hunted down and, from November 1941, gradually deported to the town of Terezín (the Main Fortress), where the Nazis arranged a "ghetto" for them. Here they were to be massed until the extermination camps further east were ready to carry out their final liquidation.

Initially, the barracks in the town were used to accommodate the Jewish prisoners, and once all the local residents had been moved out, by mid-1942, all civilian buildings were sued for this purpose. Massive overcrowding, however, also led to the use of attics, cellars, and the casemates within the ramparts. Terezín became the largest concentration camp in the Czech Lands, with thousands of transports arriving here carrying Jews not only from the Protectorate of Bohemia and Moravia, but also from Germany, Austria, Holland and Denmark, as well later as from Slovakia and Hungary.

In less than four years, more than 140 000 prisoners were brought here - men, women and children. In the last days of the War, a further 15 000 prisoners arrived at Terezín on "evacuation transports" from concentration camps cleared from the advancing front line. Over 35 000 prisoners died here as a result of stress, hunger, and the atrocious accommodation and hygienic conditions.

The Terezín camp for Jews was headed by a Nazi Komandantura, which gave instructions to the "Jewish authority" which took care of the internal organisation of the camp. Direct supervision of the prisoners was left to the Protectorate guards, the great majority of whom sympathised with the prisoners, attempted to help them and kept them in touch with the outside world.

Within the camp, all manner of prohibitions and ordinances applied, and only cultural life was for a certain period permitted, as it could serve as a backdrop disguising the truth of the fate that had been decided for the Jews. The internees took up the arts as a means of coping with depression and their fears for the unknown future. They attempted to ensure that even imprisoned children missed nothing of their education, and did not lose their outlook. Despite Nazi prohibition, therefore, they taught in secret, dedicating themselves with great self-sacrifice to educating the children; even behind the walls of the ghetto, they prepared them for a future in freedom.

Unfortunately, even as transports arrived at the ghetto, others gradually began to leave - into the unknown. From October 1942 virtually all went to Auschwitz-Birkenau, the most awful of the extermination camps. In all, 63 transports left Terezín for the "East", carrying a total of more than 87 000 individuals; of these, only 3800 would see liberation. The fate of the children of Terezín was equally tragic; of the 7590 youngest prisoners deported, a mere 142 survived until liberation. Only those children who remained for the whole period at Terezín had any really chance of being saved; on the day of liberation, Terezín contained some 1600 children aged 15 or under. Their lives are reflected in verses, diaries, illegally produced magazines and thousands of drawings - often the only things that remain of them.

Among the personalities active in the cultural life of the ghetto were the writers Karel Poláček and Norbert Frýd, from the world of music Karel Berman, David Grünfeld, Ada Hechtová, Karel Ančerl, Rudolf Franěk, Karel Reiner, Viktor Ullmann, Gideon Klein, Pavel Haas, Hans Krása and F.E. Klein, from theatre and cabaret arch. František Zelenka, Gustav Schorsch, Vlasta Schönová, Karel Švenk, Zdeněk Jelínek, Ota Růžička, Kurt Gerron, Hanuš Hofer, and Leo Strauss, and from the arts Bedřich Fritta, Otto Ungar, Leo Haas, Ferdinand Bloch, Karel Fleischmann, Petr Kien, Adolf Aussenberg, Charlota Burešová, Rudolf Saudek, Jo Spier and Arnold Zadikow.



The Litomerice forced labour camp
In the last years of the War, as the German armaments industry was increasingly threatened by Allied air power, the Nazis decided to shift some of their production facilities underground. In Litoměřice, the former limestone quarry beneath the Bídnice plain was to be used for this purpose.

In the Spring of 1944, work began here on the construction of underground factories code-named Richard I and Richard II. Thousands of prisoners were brought to work on the project, primarily Poles, Yugoslavs, Russians, Frenchmen, Belgians, Italians and other nationalities. A work camp was established for them close to the building site, a subsidiary of the notorious Flossenbürg concentration camp - a workforce source.

Prisoners prepared the ground surface, dug adits and prepared the spaces of the production halls. Specially selected individuals, together with forced labourers, then worked on the production of engine parts for tanks, heavy military vehicles and ships. After several months, they were joined by the large komando of the Gestapo prison in the Lesser Fortress at Terezín.

Inhuman treatment, hunger, slave labour underground where cave-ins threatened, and finally an outbreak of typhus resulted in 4500 of the 18000 prisoners employed here dying in under a year.



Liberation
The situation of prisoners at Terezín was complicated at the end of the War by the evacuation transports which arrived here between April 20th and May 6th, 1945. The thousands of pitiful and seriously ill prisoners who arrived at this time brought with them typhus, which quickly spread to the original Jewish occupants of the ghetto. Meanwhile, typhus was also identified in the Lesser Fortress prison. Doctors in Prague learned of this, and organised the "Czech Aid Project to help prisoners at Terezín", which was led by the epidemiologist MUDr. Karel Raška.

Members of the Czech Aid Project began work at the Lesser Fortress as early as May 4th, 1945, and at the same time made contact with members of the International Red Cross, which on May 2nd had taken over prevention at both the police prison and the ghetto. In the evening hours of May 8th the first units of the Red Army passed through Terezín towards Prague.

In the following days, at the request of the Czech doctors, the Soviet military took over preventative measures in all of Terezín, and also supplied much needed medical assistance. Together with Czech doctors and healthcare personnel, as well as the health service organised by former prisoners and dozens of volunteers from the surrounding area, they made a major contribution to stamping out the epidemic, which had already claimed hundreds of victims. Special mention must be made here of the self-sacrifice of all those who participated in this dangerous undertaking, without regard to time, rest of the danger of infection. By the end of May the worst of the epidemic had passed; some 30 000 lives had been saved. The repatriation of liberated prisoners, who came from a total of 30 countries, lasted until August 21st 1945.

The internment camp
From 1945 to 1948 the Lesser Fortress housed an internment camp in which were gathered first prisoners of war and later those German residents marked for expulsion from Czechoslovakia. This part of the relatively recent history of Terezín was for a long time taboo, and archive materials were not accessible to researchers. Only the democratic transformation has created normal conditions for the work of historians, and this has enabled the picture of post-war development to be filled out, and questions associated with it to be considered objectively. The results of such research were published in 1997, and are presented in a permanent exhibition in the Fourth Courtyard in the Lesser Fortress.

The creation of the Terezín Memorial
Shortly after the end of the Second World War attempts began to save and preserve this site of suffering and sadness in such a way as to provide an enduring memory and warning for future generations.

On May 6th 1947 the government of the Czechoslovak Republic decided to create the Terezín Memorial, with the aim of conserving and preserving the site as it was during the period of the Nazi occupation. Today, the Terezín Memorial comprises a collection of individual monuments that are noticeably dispersed, and do not form a single site. These include:
The Lesser Fortress as a historical part of Terezín
The National Cemetery
The Ghetto Museum
The Jewish Cemetery, with the crematorium and the Russian cemetery
The memorial to Soviet forces
The memorial plaque by the former railway sidings
The site of reverence on the Ohře (Eger)
The columbarium with part of the fortifications, a ceremonial space and mortuary
The former Richard underground factory at Litoměřice and crematorium
The Magdeburg Barracks
The National Cemetery
The National Cemetery was created artificially after liberation in 1945. The stimulus for its creation came from among former prisoners and the heirs of those who died, at whose request physical remains were exhumed from six mass graves in the ramparts of the Lesser Fortress which had been in use from March 1st to May 7th 1945. Among those who were exhumed were prisoners from the death march that in May 1945 arrived at the Lesser Fortress.

On September 16th 1945, in the presence of former prisoners, the descendants of some of the deceased, honourable leaders of political and public life in post-war Czechoslovakia and members of the general public, a ceremonial funeral was held for 601 exhumed victims (among those attending were the Minister of Foreign Affairs, Jan Masaryk, and JUDr. Milada Horáková, who spoke for the women prisoners).

From the end of the War, Terezín became a site of reverence for the Czechoslovak people. A memorial service was held at the National Cemetery to mark the first anniversary of liberation, on May 5th 1946. The programme included the burial of victims exhumed from shared graves in Lovosice, from mass graves found in the forced labour camp at Litoměřice, and from the communal cemetery in Terezín.

The ashes of 52 prisoners executed in the Lesser Fortress on May 2nd 1945 were also added to the National Cemetery. Furthermore, the urns containing the ashes of victims of the typhus epidemic were brought here from the Terezín Crematorium, as were ashes from large pits nearby - in the main, the remains of the dead from the Terezín Ghetto.

As late as 1958, building work close to the Richard former underground factories exposed a grave containing human ashes; it was found that these were the mortal remains of a Jewish prisoner from the Terezín Ghetto. They were immediately reinterred in the National Cemetery.

The National Cemetery presently contains 2 386 individual graves (both urns and inhumations). Thousands more of the dead of the Lesser Fortress, Terezín Ghetto and Litoměřice forced labour camp, as well as of those who came to Terezín at the end of the War in the death march and death transports, are interred in the mass graves marked by five pylons. In all, the remains of some 10 000 victims lie within the National Cemetery.

The Jewish Cemetery and Crematorium
The dead of the Terezín Ghetto were from the start buried in individual and mass graves near Bohušovice. It was thus that the Jewish Cemetery developed, in which lie some 9 000 victims from the ghetto. The Nazis also decided to create at Terezín a camp crematorium, which came into service on September 7th 1942, and was used in the cremation not only of the dead from the ghetto, but also from the Gestapo police prison in the Lesser Fortress, and later also those from the forced labour camp at Litoměřice. According to surviving cremation records, some 30 000 victims were cremated here. Urns containing ashes were stored in the columbarium located in the fortress ramparts, but the Nazis were able to destroy the majority before the end of the War.

From the middle of March 1945 until the arrival of the first evacuation transports, cremations were halted; victims from all three components of the persecution were instead buried in mass graves. Meanwhile, a separate crematorium was established at the Litoměřice camp, with came into service in April 1945; in the space of a month, some 400 corpses were cremated there. After the arrival of the evacuation transports at the end of April 1945, cremations began again at Terezín.

The appearance of the original cemetery for Jewish prisoners near Bohušovice was developed architecturally and in plan after the War, and the whole area is now presented as a garden that gently flows into the surrounding landscape. The site from which the Nazis threw the ashes of martyred prisoners into the Ohře in November 1944 has also been made into a site of reverence.”

We started off walking across a very small bridge from where the bus left us off and coming right to the town which is actually an active town with lots of families and children living there. I think that also helped to ease the sadness when you see kids riding their bikes and moms and dads and grandmothers going to the drug store or art supply shop which is just down the street or right across from one of the museums or official memorial buildings.”

Return to Prague, Czech - Day 4

Another thankfully sunny but frigid day. I decided to visit the concentration camp in Terezín  know during the war as “Theresienstadt.” I first heard of it when I listened to the book  "Never Too Old: Words of Wisdom from Alice Herz-Sommer, The World's Oldest Living Holocaust Survivor" and really didn’t think I had it in me to visit but I’d seen it mentioned in the tour pamphlets they have at the hotel and today seemed like a good day to do it. I’ve put in a blog entry above the details of the trip because I just think it deserves its own entry.
Pam and Janice on the subway back from the concentration camp tour

I fortunately met two sisters who were visiting from the States, Pam and Janice at the bus stop and we pretty much stuck together the whole time. I was first listening to them talk while we waited at the gate for the bus to arrive and I couldn't get over how much one of their voices sounded so much like my friend Cynthia and I could swear that if I closed my eyes it would be Cynthia talking and I was wondering how odd it would be if they were also from Maryland where Cynthia is from and could there be a distinct Maryland accent or speech pattern because I've never known anyone to talk about it. Anyway, finally when a man asked a question about the fare for the bus they realized I was American and started talking to me and of course the natural question we all ask is where are you from and I had to laugh when Janice said Maryland. I told her about the accent thing and how 'yes, I was listening in on your conversation but I'm a New Yorker and that's what we do and we don't make any apologies for it either.' They laughed and it was really nice to share the experience of going to the camp with two such lovely people and made a huge difference because we chatted about life, and art and such and it was good not to be just totally in my head thinking of all the awfulness of what happened in this town. And thankfully Janice was organized as well and had brought along Rick Steve's guide to Prague and the Czech and she got us around the town and to all the sights perfectly. It was her first time out of the country with the exception of Canada where she, her husband and their two children went a few years ago but she said she really doesn't consider that leaving the country. And her sister Pam's husband in Utah is a pilot for Delta airlines and she has traveled a lot with him but the two sisters just wanted to both see Prague and have a trip together which is so sweet.

The Jesuit Church of St. Ignatius in Charles Square (Kostel SV. Ignace.)





We took the subway back into the center of town afterwards and we wished each other a good trip and off we went, they to their hotel and me to the New Town to do some sightseeing and get dinner before going to the National Theatre at 7:00pm to see a Czech opera. Yesterday when I was at the tourist information office I had asked about a flyer I had seen on a concert at the National Gallery which is going under renovation for a few years and she said it would be very cold in there since they building is closed to visitors all day now and she suggested I’d enjoy the opera, “Rusalka” by Antonín Dvořák about  water sprite. I had wanted to visit the theatre and when she told me the tickets were only $8.00 I jumped at the opportunity and she found me a fabulous seat center, first row, 2nd balcony. The Czech libretto was written by the poet Jaroslav Kvapil[1] (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Němcová tells the story of Rusalka and is one of the most successful Czech operas, and represents a cornerstone of the repertoire of Czech opera houses. Rusalka is a water sprite from Slavic mythology, usually inhabiting a lake or river. The most popular excerpt from Rusalka is the "Song to the Moon" ("Měsíčku na nebi hlubokém") from Act 1 which is often performed in concert and recorded separately. It has also been arranged for violin and used on film sound tracks.






The theatre is first of all incredibly impressive with gold details everywhere and beautiful red velvet seats and the stage is massive in depth although not very large across. I loved watching the orchestra as well which was perfectly visible from my seat.

Rusalka, like many fairy-tales ends sadly but the music is beautiful and the staging which was a combination ballet, opera was outstanding and exquisite with bright, mixed-period costumes and interesting special effects and lighting but it’s the cast that made it a mesmerizing experience.


At the corner of the church next to Křižovnická Street, stands a statue of St Wenceslas the patron saint of wine makers on a “wine pillar” decorated with twining tendrils of grape-vines. The pillar originally stood, directly on the square in front of the house No. 193/1, which used to be the offices of the manager of the Prague vineyards. Several red paving stones under the pillar are the original paving transferred here from Judith's Bridge. They are possibly the oldest paving stones on which we can walk in Prague.


At the corner of the church next to Křižovnická Street, stands a statue of St Wenceslas the patron saint of wine makers on a “wine pillar” decorated with twining tendrils of grape-vines. The pillar originally stood, directly on the square in front of the house No. 193/1, which used to be the offices of the manager of the Prague vineyards. Several red paving stones under the pillar are the original paving transferred here from Judith's Bridge. They are possibly the oldest paving stones on which we can walk in Prague. You can see them in the photo above


The Church of St Francis with the Monastery of the Knights of the Cross with the Red Star.

The Clementinum is a historic complex of buildings in Prague. Until recently the complex hosted the National, University and Technical libraries, the City Library also being located nearby on Mariánské Náměstí.


Hotel Aurus Exterior Design

Easter Market Decoration Old Town Square


Easter Market Decoration Old Town Square

National Theatre Interior Chandelier


National Theatre interior Curtain

National Theatre Interior 2nd Balcony
The show was visually stunning and I was so impressed with several scenes that were mesmerizing like the dance at the dinner party with the red velvet costumes on the men and the red and pink dresses reminiscent of Marie Antoinette  court at Versailles.  The first scene of the second at was perfect with a great staging of a housekeeper and butler placing candles in four large chandeliers while singing a song about how the prince was going to marry this girl who didn't speak and what a mistake it was because she was so strange. There were subtitles projected on a screen above the stage. And then a group of about 12 actors in waiter costumes came on stage and placed the rest of the candles in their spots and then ceremonially lit each candle. Eventually the Chandeliers were hoisted up which was a magical moment. So many wonderfully theatrical moments, I'm really so glad I saw this production here in Prague.
Rusalka Dance at the Dinner Part Act II

Dance Act I with the Sprites


I finished my last of the Frantiskovy Lazne water cure but I'm sure I will feel the wonderful effects for a very long time.

I hoped on the number 14 tram right outside the theatre which took me directly in front of my hotel. It was an emotional, inspiring, thought provoking day and I hope always to remember to be truly grateful for all the good in life after seeing and understanding a little bit more about some of the evil that caused so many innocent people to suffer.